- CAPTAIN PLANET MARVEL MOVIE
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- CAPTAIN PLANET MARVEL SERIES
- CAPTAIN PLANET MARVEL TV
CAPTAIN PLANET MARVEL MOVIE
Then there was the question of who would voice Captain Planet. Turner originally wanted Tom Cruise, because he was the biggest movie star in the world at the time. This included pulling in famous actors to voice some of the characters Whoopi Goldberg was the original voice of Gaia, and the musician Sting played her evil counterpart, Zarm.
CAPTAIN PLANET MARVEL FULL
Turner loved DIC’s approach and decided to commission them with his full support. With nothing to go on except that there were superpowers involved that combined to make an even more powerful character, Harnage and his colleagues came up with a scenario wherein Gaia, the spirit of the Earth, reached out to teenagers from specific global regions - Africa, Asia, South America, Eastern Europe, and the United States - and tasked them with saving the planet from pollution. Harnage says that Turner originally tasked DIC and Hanna-Barbera with creating a concept for the show. Harnage tells SYFY WIRE that the entire production team “had real visions of changing the world by doing something with real social ramifications." Though he feels that the show fell short of its goal, he takes comfort in the fact that it “got kids to step up further and start recycling."
CAPTAIN PLANET MARVEL TV
Phil Harnage was the senior staff writer of DIC Entertainment when Ted Turner, the billionaire TV producer and founder of TBS and CNN, approached the company with his idea. Today it is perhaps best remembered for its catchy theme song, whose lyrics many millennials still know by heart.
CAPTAIN PLANET MARVEL SERIES
Though Captain Planet was never as popular as Teenage Mutant Ninja Turtles, it performed well enough to run for six seasons from 1990 to 1996 - with the series run from 1993 to 1996 being retitled The New Adventures of Captain Planet and airing on Turner Program Services - and have a spin-off video game, action figure line, Marvel comics limited series, and promotional crossover with Burger King. 15, 1990, and followed the story of five teenagers with magical rings (the Planeteers) fighting to save the world from pollution with the help of a "superhero" (Captain Planet) who formed when the Planeteers' power came together. The animated superhero series was first broadcast by TBS on Sept. It’s genuinely frightening, which might be why the comedy still packs a punch.Captain Planet and the Planeteers is celebrating its 30th anniversary this month, and even though the show looks like a gentle relic now, back then it was hailed for its commitment to educating children about the role that they could play in preserving and protecting the world.
As a work of humor, the Cheadle sketches could go where more mainstream efforts couldn’t and could examine the kind of hellscape that might emerge under a being who can’t be stopped. More serious comic-book movies – Endgame and Avengers: Age of Ultron as well as Snyder's films – also grappled with godlike beings who might destroy humanity in the name of the greater good. The satire stays focused on the cartoon's simplistic suggestion that climate change can be beaten simply by recycling and sending a few bad guys to prison. Then, in an ironic precursor to Avengers: Endgame, the people of Earth are restored, only to start polluting again just as they always had. He kills the Planeteers and even Gaia herself, before being pecked to death by woodpeckers in a surprisingly gruesome finale. It more closely resembles the Twilight Zone episode “It’s a Good Life” than any four-color comic book universe. Subsequent sketches show an Earth under Captain Planet’s ruthless thumb, with its few remaining human inhabitants living in constant fear of his increasingly erratic whims. As the Funny or Die sketches observed, such a figure might be a pure sociopath, especially when confronting the true cause of ecological devastation. As a result, Captain Planet himself felt less like a personality and more like an environmentally-themed automaton, created by the energy rings of the show’s teenage heroes and returning to them whenever the villain was defeated. evil didn't need anything more from the character, so it didn't bother fleshing out his character. The cartoon’s straightforward universe of good vs. The show rarely defined these powers beyond bland visuals such as beams fired from his hand, and beyond the surface messaging, he was simply a cipher. Its hero was a generic omnipotent god-being with a vast array of reality-shaping powers that could be altered on a whim to solve whatever problem he faced at the moment. Captain Planet never fleshed out its core idea in any appreciable way. But beneath those surface details, the cartoon evinced a series of ongoing narrative problems that the Funny or Die sketches took ruthless advantage of. That left plenty of satirical targets to make fun of.
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